McCoy Tyner All-Stars at Antibes (1986) [VIDEO]




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user: download
pass: jazz#9

აქ შეგიძლიათ განათავსოთ და გავუზიაროთ ერთმანეთს ჯაზ ვიდეო მასალა


Charles Mingus - Live at Montreaux (1975)


The line-up features Charles Mingus on bass with Don Pullen on piano, Dannie Richmond on drums, George Adams on tenor sax and Jack Walrath on trumpet.
For the tracks "Goodbye Pork Pie Hat" and "Take The "A" Train", they are joined on stage by the great Gerry Mulligan on baritone sax and Benny Bailey on trumpet.

Tracks:
1. For Harry Carney
2. Devil Blues
3. Free Cell Block F, 'Tis Nazi USA
4. Sue's Changes
5. Goodbye Pork Pie Hat
6. Take The "A" Train.

http://alldrives.ge/
user: download
pass: jazz#9

ლუი არმსტრონგის კონცერტი, რომელიც ყველაზე საუკეთესო და განთქმული ლაივ კონცერტია ლუის შემოქმედებაში რომელიც ფირზე დაფიქსირდა..


http://files.ge/file/329197/-OFFLINE-GE-Lo...-lexu--avi.html

Robert Altman's Jazz 34 (Robert Altman) [1998 г., Jazz Film,]



ფორმატი: MPEG4
ზომა: 360 Mb
ენა: რუსული

http://mydisk.ge/download.php?id=B9290B0240

Live in Jazz
არაფრის აი ეს უფრო მაგრად გაგისწორდება:

DAVE BRUBECK GROUP - Berliner Jazztage 1972



30 წუთიანი მონაკვეთია ამ კონცერტის, მაგრამ ნამდვილად ღირს ყურება რადგან Take Five არის სრულად 5-ვეს შესრულებით
არ ინანებთ ! ! !
ასრულებენ:

DAVE BRUBECK - piano
PAUL DESMOND - alto sax
GERRY MULLIGAN - baritone sax
JACK SIX - bass
ALAN DAWSON - drums

Screens:



Bit Rate: 128kbps
Dimensions: 720x576

http://mydisk.ge/download.php?id=D1D84F5DFB

კიდევ ერთი ბერლინური საღამო

Miles Davis Berlin Jazztage 1973



Track List:
01. Turnaroundphrase
02. Tune in 5
03. Ife
04. Unkown G
05. Tune in 5

Personnel:
Miles Davis (Trumpet)
Al Foster (Drums)
David Liebman (Saxophone, Flute)
Mike Henderson (Bass)
Mtume (Percussion)
Peter Cosey (Guitar)
Reginald Lucas (Guitar)

Screens:


Video: 640x480
Audio: 128 kbps
Size: 280 Mb

Total Time: 00:30:00

http://mydisk.ge/download.php?id=55736EBD54

More Miles

Miles Davis: Live in Montreal 1985




Screens:



Starring:

Miles Davis,
John Scofield

Tracklist:

1. One Phone Call
2. Human Nature
3. Something's On Your Mind
4. Time After Time
5. Code M.D.
6. Jean Pierre


Audio: 56 Kbps
Video: 336x240
Size: 398 Mb

Total Time: 58 min

http://mydisk.ge/download.php?id=18090563B007

Jazz Icons - Coltrane Live in the 60's




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Jazz Icons: John Coltrane provides an epic 95-minute overview of a true giant of 20th-century music. Three separate shows reveal Coltrane's ascending creative arc from hard bop innovator as a member of the Miles Davis Quartet in 1960 to consummate bandleader in 1961 to unrivalled jazz visionary in 1965. This DVD not only features Trane's classic quartet with Elvin Jones (drums), Jimmy Garrison (bass) and McCoy Tyner (piano), but also spotlights him onstage with other jazz legends including Stan Getz, Eric Dolphy and Oscar Peterson. Includes mind-blowing versions of his signature tunes "My Favorite Things" and "Impressions". ~amazon.com


March 28, 1960 in Germany, with Wynton Kelly, Paul Chambers, and Jimmy Cobb, and guests Stan Getz and Oscar Peterson.

December 4, 1961 with McCoy Tyner, Reggie Workman, Elvin Jones, and Eric Dolphy.

August 1, 1965 in Belgium, with McCoy Tyner, Jimmy Garrison, and Elvin Jones.

ბოლოსკენ My Favorite Things ვაფშე მაგარია...

Jazz Icons - Thelonious Monk



Live in Norway 1966 Show1

personnel:
Piano- Thelonious Monk
Tenor Sax- Charlie Rouse
Bass- Larry Gales
Drums- Ben Riley

Songs:
Lulu’s Back In Town
Blue Monk
‘Round Midnight

Live in Denmark 1966 Show2

personnel:
Piano- Thelonious Monk
Tenor Sax- Charlie Rouse
Bass- Larry Gales
Drums- Ben Riley

Songs:
Lulu’s Back In Town
Don’t Blame Me
Epistrophy

http://mydisk.ge/download.php?id=64B60C500C

ძალიან მომეწონა კოლტრეინი, მართალია ბოლოსკენ ძალიან გაართულა ჩემთვის მარა მთლიანობაში მაგარი იყო

BRANFORD MARSALIS QUARTET - Coltrane's 'A Love Supreme (LIVE IN AMSTERDAM 2003)



Artist:BRANFORD MARSALIS QUARTET
Title Of Album:Coltrane's 'A Love Supreme' Live In Amsterdam (2003)
Recorded March 30, 2003 at The Bimhuis Jazz Club in Amsterdam
Label:Marsalis Music (Rounder Records)
Release Date: 2004
Ganre: Avant-Garde Jazz, Free Jazz, Modal Music, Post-Bop
Quality: Mpeg 2 (DVD)
DVD - 24 bit - High Definition - Widescreen - 5.1 Sound
Video: PAL 16:9 (720x576) VBR
Audio: Not specified (Dolby AC3, 6 ch) / Not specified (LinearPCM, 2 ch) / Not specified (Dolby AC3, 2 ch)
Total Time : 01:02:30
Total Size: 4.37 (735×5 +534)Gb


TRACKS
01."A Love Supreme, Part 1: Acknowledgement" (9:00)
John Coltrane
02."A Love Supreme, Part 2: Resolution" (17:31)
John Coltrane
03."A Love Supreme, Part 3: Pursuance" (11:03)
John Coltrane
04."A Love Supreme, Part 4: Psalm" (10:48)
John Coltrane


ARTISTS
Branford Marsalis - Saxophones
Joey Calderazzo - Piano
Eric Revis - Bass
Jeff "Tain" Watts - Drums


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Kenny Barron Trio - jazzbaltica 2006 DVD



Artist: Kenny Barron Trio
Title Of Album: jazzbaltica 2006
Recorded: 2006
Genre: Jazz
TV: 3SATRip
Quality: DVD-5 + My Covers .
VIDEO:PAL 16:9 (720x576) VBR
AUDIO:primary: 2 channel MP2@256, secondary: Dolby Digital 5.1@384
Total Time: 01:21:43
Size: 4.370 GB (732 x 5 + 691)

1.And Then Again
2.Marie Laveau
3.The Very Thought Of You
4.New York Attitude
5.Song For Abdullah
6.Beatiful Love
Encore:
7. Getting Sentimental Over You (piano solo)


Personnel:
Kenny Barron, piano
Kiyoshi Kitagawa, bass
Victor Lewis, drums


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Chet Baker - One Night in Tokyo (Live] In Tokyo 1987) DVD - Video



Performer:Chet Baker
Album: One Night in Tokyo
Fortmat: DVD-5 +(scan)
Genre: Jazz / cool
Label: Studio - Immortal
Video Quality: NTSC 16:9 (720×480) VBR
Audio Quality: English (Dolby AC3, 2 ch) English (Dolby AC3, 6 ch) English (Dolby AC3, 2 ch)
Featuring: Harold Danko,Hein van der Geyn,John Engels.
Original Recording Date: June 14, 1987, at Hitomi-Kinen-Kodo, Tokyo, Japan
Total Time: 90 m
Size: 3.53 Gb ( 468 x 7 + 208 ).


INFO !

Jazz trumpet player & singer Chet Baker recorded Live in Tokyo in 1987. Specializing in relaxed, even
melancholy music, Baker rose to prominence as a leading name in cool jazz in the 1950s * Features many
classic tracks such as Almost Blue, My Funny Valentine,Seven Steps to Heaven, Stella By Starlight & more.
Fans and critics alike agree that the live album Chet Baker in Tokyo, recorded less than a year
before his death and released posthumously, ranks among Baker’s very best!

VIDEO TRACKS:
1. Stele By Starlight
2. For Minors Only
3. You’d Be So Nice To Come Home To
4. Arborway
5. Four
6. Almost Blue
7. Beatrice
8. My Funny Valentine
9. Seven Steps To Heaven

PERSONNEL:
Chet Baker, vocals, trumpet
Harold Danko, piano
Hein van der Geyn, bass
John Engels, drums

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კარგია , აწი უფრო ვიაქტიურებთ !!! ))))

Brad Mehldau - Burghausen 2008 (DVD-5)
39. Internationale Jazzwoche Burghausen 2008 ( Germany)



Artist:Brad Mehldau
Title Of Album: Live in Burghausen 2008
SATRip
Ganre: Jazz, Free Jazz, Post-Bop
Quality: Mpeg 2 (DVD)
Video:PAL 16:9 Anamorphic (720x576) VBR 25.00fps 8000Kbps
Audio: Dolby Digital 2.0 Stereo 48000Hz 224Kbps / English (Dolby AC3, 3 ch)
Total Time : 01:34:45
Total Size: 4.130 (781?5 +225)Gb




Track List:
1. Kurt Vibe
2. Number 19
3. LGAH
4. Samba Do Grande Amor
5. We See
6. Baby Plays Around
7. Holland
8. Countdown


BRAD MEHLDAU - piano
LARRY GRENADIER - drums
JEFF BALLARD - bass


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BUNKY GREEN GROUP - jazz baltica 2008 (DVD)



Artist: BUNKY GREEN GROUP
Title Of DVD: jazz baltica 2008
Recorded: TV rip jazzbaltica 2008
Genre: Jazz / post bop
TV: 3SATRip
Quality: DVD-5 + My Covers .
VIDEO:PAL 16:9 (720x576) VBR, Auto Pan&Scan 25.00fps 8000Kbps
AUDIO:Dolby Digital 2.0 Stereo 48000Hz 224Kbps
Total Time: 01:15:16
Size: 4.16 Gb ( 4 362 062 KBytes ) (683 x 6 + 75)

Track List:
1. With All My Love
2. As Long As Forever
3. Beautiful Dream
4. I Hear A Rhapsody
5. Body And Soul

BUNKY GREEN - saxofon
ERIC LEGNINI - piano
MATHIAS ALLAMANE - bass
FRANK AGULHON - schlagzeug
GREG OSBY - saxofon
STEFANO DI BATTISTA - saxofon


Jazz Lossless FORUM


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SCHLESWIG-HOLSTEIN CHAMBER ORCHESTRA feat. STEFANO DI BATTISTA - jazz baltica 2004



Artist:SCHLESWIG-HOLSTEIN CHAMBER ORCHESTRA feat. STEFANO DI BATTISTA
Title Of DVD: jazz baltica 2004
Recorded: TV rip jazzbaltica 2008
Genre: Jazz / post bop
TV: 3SATRip
Quality: DVD-5 (•меню••подменю) MPEG2
VIDEO:PAL 16:9 (720x576) VBR, Auto Pan&Scan 25.00fps 8000Kbps
AUDIO:Dolby Digital 2.0 Stereo 48000Hz 224Kbps
Total Time: 00:44:12
Size: 2.7 Gb ( 4 362 062 KBytes ) (683 x 6 + 75)

Track List:
1. Classico
2. Romeo & Juliet
3. Anastasia
4. A Night in Tunisia
5. Amoroso
6. Slap


STEFANO DI BATTISTA - saxofon
ERIC LEGNINI - piano
ROSARIO BONACCORSO - bass
ROBERTO GATTO - schlagzeug
SCHLESWIG-HOLSTEIN CHAMBER ORCHESTRA
VINCE MENDOZA - leader

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Jazz Lossless Download?

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SCHLESWIG-HOLSTEIN CHAMBER ORCHESTRA feat. STEFANO DI BATTISTA - jazz baltica 2004

ეს დვდ იგივე ცონცერტოა რაც ალბომი "Stefano Di Battista Round About Roma"



მხოლოდ jazzbaltika 2004-ზე , საერთოდ ეს ალბომი ძალიან მომწონს , მაგრამ dvd-მ მაგრად მასიავნოა.

eto toje sami albom katori ia apublikoval Chut ranshe "Stefano Di Battista Round About Roma"
TOLKO DVD VIDEO , pasmatrev DVD live in JazzBaltika 2004 ia paluchil agromnoe udavostvie , dumaiu i vi budite davolnimi.

Mydisk.ge-დან სმს-ის გაგზავნის გარეშე ვერ გადმოვწერ? ძალიან მინდა მონკი და დევისი და მაინცდამაინც ახლა მაქვს ცალმხრივად ტელეფონი გამორთული

Thelonious,

ეს გინდა? Jazz Icons - Thelonious Monk
თუ კი დაგეხმარები

ეგეც მინდა, ბრუბეკიც, დევისებიც, მონკიც როგორ შეგაწუხო ამდენ რაღაცაზე
იყოს და ხვალ გადმოვწერ... დიდი მადლობა

Bill Evans Trio - Helsinki 1970



Personnel:
Bill Evans
Eddie Gomez
Marty Morell

Tracks:
Emily
Alfie
Nardis

Genre: Jazz Piano Trio
Video format : Xvid 608x448 avi, 25 fps, bitrate 762 kbps
Audio format: sampling rate : mp3 128 kbps, 48000Hz 2 ch.
Total Time: 29:38
File Size: 198 Mb

http://rs178.rapidshare.com/files/15330172..._Helsinki70.rar

Pass: b3bop

Bruce Weber film - Let's Get Lost


Performers: Chet Baker ...
Film: Let's Get Lost
Genre: Documentary on the life of jazz legend Chet Baker
Format: AVI
Video: 672x504 (1.33:1), 25 fps, XviD MPEG-4 ~1774 kbps avg, 0.21 bit/pixel
Audio: 48 kHz, AC3 Dolby Digital, 2/0 (L,R) ch, ~192.00 kbps avg (rus) 48 kHz, AC3 Dolby Digital, 2/0 (L,R) ch, ~256.00 kbps avg (eng)
Director: Bruce Weber
Release Date: 1988
Size: 2.3 Gb , 5% Recovery.

http://rapidshare.com/files/237600897/Get_Lost.part01.rar
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Returning from the Cannes film festival and going through Marseille on the skytrain, I think about how Chet Baker used to like Marseille a lot but he didn't play there — it was mostly in Paris at the New Morning. He was always making a quick jump in a friend's fast car to Germany to record a CD in a day and then return to Paris.

It was 21 years ago when I filmed part of Let's Get Lost in Cannes, as well as screening my first documentary, Broken Noses, at the Jean Cocteau theatre and photographing for Per Lui. Yes, there was a lot of confusion, but that was the best way for me to be with Chet, because if he didn't show up, we always had something else to do. But guess what? There he was, on time, hair slicked back, trumpet case in one hand and his girlfriend in the other.

It seemed in those days, because I was so obsessed with Chet and my film, that everyone started to resemble him in some way. I knew Andy Minsker, the boxer who starred in Broken Noses, looked like him, but bodyguards, waiters, lifeguards and other actors also seemed to look like Chet's twin brother. Now, of course, in the real world this wasn't true, but I was lost on this journey with Chet and I had this great fear of losing him to the outside world. It's almost like when a dog runs away from home: you try to replace him and call the new dog by the same name — but somehow it's never the same.

When I finished editing Let's Get Lost in 1988 at the Brill Building in New York, we got a call from Cherry Vanilla, who also appeared in the film. She sadly told us that Chet had died and that they found him lying on a street outside his hotel in Amsterdam.

Years later Johnny Depp came to see me and Nan Bush, the producer of my films, at our loft in New York City. Johnny curled up on the couch and said he wanted to play Chet in a feature film. He asked us "if we owned the rights to Chet's story". Nan and I laughed and told Johnny that Chet had sold his story countless times, but no one ever owned Chet's story — he wanted to be free as a bird. I was sad because no one looked like Chet any more — and Johnny surely didn't, but he's someone I always liked and photographed from the beginning of his career. So I told him: "Anyway, you look more like Art Pepper and there's a great book on his life by his girlfriend called The Straight Life." A day in the life of Art was like a year in most people's lives. I don't think Johnny ever read that book and he never made that film.

As I took Johnny down in the freight elevator he said: "So what's going on with you these days?" I told him that Nan and I were making a documentary about Robert Mitchum. Johnny gave me a big smile and said: "He's one of my favourite actors besides Brando, and my dad looks so much like him that when I go out for dinner with him, people come up and ask for his autograph." When the freight elevator reached the ground floor we hugged each other goodbye and I said, "Maybe you could write an introduction for our book to accompany the Mitchum film?" "Count me in," Johnny said as he waved goodbye. Oh well, I thought, here I go again: now everyone's going to look like Bob Mitchum!

I made that film on Mitchum and I never met Johnny's dad, but I didn't see anyone resembling Bob — maybe because I still had images of Chet floating in my subconscious. You have to understand that I first saw photographs of Chet, taken by William Claxton, about 40 years ago on the cover of an album called Chet Baker Sings and Plays. I collected jazz records in those days. (I still do, but most of the little record stores in the East Village of New York City that I used to hang out in are closing.) At that time I was attending NYU film school. I got to meet Claxton and his wife Peggy Moffitt; she was the first model to wear the topless bathing suit by Rudi Gernreich.

Bill photographed me and made a short film with me and Peggy. He had three great distractions in his life: Peggy, Steve McQueen and Chet Baker. I couldn't compare with that, being a shy and awkward film student, but Bill was a real sweetheart to anyone who happened to be in front of his camera. He made me feel very confident so I could fantasise that I was in the same gang as Steve and Chet. I learned a lot from Bill, and now when I photograph so many college kids for Abercrombie & Fitch, I think of Bill and his respect for the individual and how everyone was beautiful until it was discovered they didn't have a soul to go along with a great body. I always thought Chet had that soul — no matter what age he was, no matter if he got his teeth knocked out, or no matter how many lines circled his eyes. People always ask me, "What is beauty?" I always laugh and say: "Today is one thing and tomorrow another."

As we travelled to film festivals with Let's Get Lost and my other documentaries, I kept looking for another Chet Baker, someone who made you travel to some far outpost in your mind, never worrying about a return ticket. Peter Johnson, who starred in my next film Chop Suey, resembled Chet when he was growing up in Oklahoma. I even photographed Peter's profile with a trumpet rested softly against his cheek. After that came A Letter to True, an antiwar documentary starring my dog True and Dirk Bogarde, and with voiceovers by Julie Christie and Marianne Faithfull. Sometimes there was a sense of longing in True's eyes just like I used to see in Chet's eyes after he finished a song and there was silence in the recording studio.

Recently I had lunch sitting across from Clint Eastwood. We talked about Bird and Chet, his music and my film, over a strange buffet for "two hamburger kind of guys" of the kind of food that the French sometimes serve, which I like to call "mystery food". I laughed, remembering when I was growing up in Greensburgh, Pennsylvania — you couldn't hear a sound in my parent's house (all the jazz music was shut off) so we could religiously watch Clint on his TV series Rawhide. Even then I photographed everyone to look like Clint: cheerleaders, my mom and dad, and the captain of our local football team. Well, I didn't tell Clint that, because I was taking a family portrait of him with his wife and child, and they would have thought I was an "odd duck".

Maybe I am, but that's OK because I'm still looking for another Chet Baker in my life — because Chet spoiled me. I began to realise that there are not a million nor even one other Chet Baker. I can't help but carry on searching for a new Chet, so I can make another movie, so I can take photographs for another book, and so once again I can have "just for a thrill" the chance of knowing someone magical that you can never ever forget.(Bruce Weber The Guardian, Friday 30 May 2008)

Marcus Miller - Jazz Festival In Korea, Seoul 2004







Marcus Miller : Bass
Dean Brown : Guitar
Poogie Bell : Drums
Bruce Flowers : Keyboards
Roger Byam : Saxophones
Michael "Patches" Stewart : Trumpet

1. Run For Cover
2. Moonlight Sonata
3. Panther
4. Boomerang
5. Frankenstein
6. Don't Give Up (Featuring Take 6)

Time : 56 Minutes

Marcus Miller 2004 Jazz Festival In Seoul

ძალიან მაგარი კონცერტი!
იშვიათია...

დეივ ლიბმანი სახეს იხევს!

Stan Getz & Chet Baker - Live In Stockholm (1983)



Artist: Stan Getz And Chet Baker
Title Of DVD: Live In Stockholm (1983)
Recorded: Sweden , Stockholm , February 18,1983
Genre: Jazz / Cool
TV Release Date : 1984
Quality: DVD-5 + My Covers . tv rip
VIDEO:PAL 720 x 576 4:3 25 fps 8900 kbps
AUDIO:AC3 2.0 384 kbps
Total Time: 54:38
Size: 3,39 GB (3 650 706 729 bytes)


Track List:

1. JUST FRIENDS
2. MY FUNNY VALENTINE
3. SIPPIN' AT BELLS
4. MILESTONES
5. AIREGIN
6. ACK VARMELAND DU SKONA (Dear Old Stockholm).
7. LINE FOR LYONS

В ролях:
STAN GETZ- tenor sax
CHET BAKER- trumpet, vocals
JIM McNEELY- piano
GEORGE MRAZ- bass
VICTOR LEWIS- drums

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Freddie Hubbard, Cedar Walton, Ron Carter, Lenny White - Live At Village Vanguard [2004 / DVDRip]

შემსრულებელი: Freddie Hubbard / Cedar Walton / Ron Carter / Lenny White
დასახელება: Live At Village Vanguard
გამოშვების წელი: 2004
ჟანრი: Jazz l Bebop l Hard Bop l Post Bop

Tracklist:
Happy Times [17:29]
Guernica [18:10]
Little Waltz [10:57]
Fantasy in D [11:10]

მონაწილეობენ:
Freddie Hubbard
Cedar Walton
Ron Carter
Lenny White

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Jazz On A Summer's Day (1958/DVDRip)

კონცერტის შესახებ:
დასახელება: Jazz On A Summer's Day
გამოშვების წელი: 1958
ჟანრი: Jazz
რეჟისორი: Bert Stern, Aram Avakian

მონაწილეობენ: Louis Armstrong, Gerry Mulligan, Thelonious Monk, Jack Teagarden, Eric Dolphy, Chuck Berry, Anita O'Day, George Shearing, Jimmy Giuffre, Jim Hall, Chico Hamilton, Sonny Stitt, Mahalia Jackson, Dinah Washington, Max Roach...
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უნიკალური ჩანაწერი. ჯაზური ვარსკვლავთცვენა.

JAZZMAN,

მართლაც რომ უნიკალურია დიდი მადლობა!

დიიიიდი მადლობააა .

Keith Jarrett - Tokyo Solo



http://www.allshares.ge/download.php?id=1CAA5072

just.ge ზე ნახეთ კონცერტები

KUHNTETT - Burghausen 2009




Artist: KUHNTETT - Burghausen 2009
Title Of DVD: Burghausen 2009
Recorded: 40. Internationale Jazzwoche Burghausen 2009 (Germany)
Genre: Contemporary Jazz / Progressive Jazz / Post-Bop
TV Release Date : 2009
Quality: SATRip
VIDEO: AL 16:9 (720x576) VBR, Auto Pan&Scan 25.00fps 15000Kbps
AUDIO: Dolby AC3 48000Hz 224Kbps
Total Time: 01:20:28
Size: 3,39 GB (3 650 706 729 bytes) 476 x 7=3,390 GB


Personnel:
AXEL KUHN - bass
ALEXANDER KUHN - tenor & soprano sax
CHRISTOPH HECKELER - piano
MARCEL GUSTKE - drums



Track List:
1. Timeless Days
2. Blues for Christian
3. Zianoism
4. Der Morgen danach
5. Das Auge des Betrachters
6. Living in Balance
7. Verruckte Welt
8. There Is No Greater Love


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keith jarrett trio - 1985 წელს ჩაწერილი კონცერტი , სამწუხაროდ ვერ დავდებ აღარ მაქ მაგრამ ვინმეს თუ შეგხვდათ სადმე აუცილებლად გადმოიწერეთ , არაჩვეულებრივი კონცერტია , მანდ არის ერთი კომპოზიცია პრისმ , ოღონდ არა ის პრიზმ რომელიც ალბომშია , სხვაა - გენიალურია - პიკოკი მაგარ ემოციებშია

აგერ ლინკი

http://www.youtube.com/watch?v=sx5gjOdh3Po

გაიხარეთ მააგრია

Tomasz Stanko Quartet. ( JazzBaltica 2005)



rtist: Tomasz Stanko Quartet
Title Of DVD: JazzBaltica 2005
Genre: Post-Bop / modern jazz
TV Release Date : 2005
Quality: DVD-5 + My Covers . SATRip
Bitrate: DVD Video • track menu
VIDEO: MPEG-2, TV system: 625/50 (PAL) Aspect Ratio:
16:9 Display Mode: Both Pan&scan and Letterbox
Source picture resolution: 720×576 (625/50)
Frame Rate: 25.00 Bitrate: 7.85Mbps
AUDIO: Dolby Digital 2.0 384Kbps, 48kHz, Number of Audio channels: 2.0
Total Time: 63:30
Size: 3.41 GB


Tracks:
01.Little Thing
02.Rising Ballad
03.Euforila
04.Piece
05.Kattorna
06.Witkacy
07.Celina



Personnel:
Tomasz Stanko – Trompete
Marcin Wasilewski – Piano
Slawomir Kurkiewicz – Bass
Michal Miskiewicz – Schlagzeug


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ბატონებო და კერძოდ ბატონო გუგა!!!! აი აქ http://www.nukri.info/index.php?module=pnF...262&start=0 ერთი ადამიანი ითხოვს დახმარებას რამდენადაც ვერ ახერხებს ფაილის გადმოწერას!!! დაეხმარებით?

ცოტა ხნის წინ შეემატა ეს DVD ჩემს კოლექციას და არ შემიძლია რომ არ გაგიზიაროთ...

Erroll Garner - Live in '63 & '64 / 2009 (DVD -Rip)


Artist: Erroll Garner
Album: Erroll Garner Live in '63 & '64 (Jazz Icons)
Label: NAXOS OF AMERICA DVD
Release:October 27, 2009
Format/Bitrate: avi/160 (DVD-Rip), Resolution:720X540
Size:768mb
Time: 60 minutes

Personnel:

Erroll Garner (piano);
Eddie Calhoun (bass);
Kelly Martin (drums)

"Live in Belgium - 1963"

1. Erroll’s Theme
2. I Get A Kick Out Of You
3. Fly Me To The Moon
4. Sweet And Lovely
5. It Might As Well Be Spring
6. Misty
7. Where Or When
8. Thanks For The Memories

"Live in Sweden - 1964"

1. Erroll’s Theme
2. When Your Lover Has Gone
3. Fly Me To The Moon
4. Mambo Erroll
5. My Funny Valentine
6. One-Note Samba
7. Where Or When
8. Thanks For The Memories
9. Erroll’s Theme

Review by Jazz Icons:

Erroll Garner presents two beautifully filmed concerts from 1963 and 1964 featuring his classic trio of bassist Eddie Calhoun and drummer Kelly Martin. Erroll Garner was one of jazz’s true original players and this DVD showcases his improvisational brilliance on a parade of his most classic numbers. The trio delivers throughout both shows including favorites “Fly Me To The Moon” and “I Get A Kick Out Of You” as well as originals “Erroll’s Theme,” “Mambo Erroll” and his best-known composition, “Misty.”
These two rare performances of Garner in Belgium and Sweden, respectively in December 1963 and January 1964, attest to his improvisatory and interpretive brilliance. Supported by bassist Eddie Calhoun and drummer Kelly Martin, Garner demonstrated that he could mesmerize his audiences with flights of musical fancy as well as entrance them by the sheer ecstasy he displayed while playing music.
To see Garner’s face light up when he plays the piano is to witness someone completely connected with the most profound joys in life.

A satisfactory smile beams, light dances from his eyes, and under-the-breath melodies grunt alongside his improvisational melodies. Then it’s as if he’s casting a magic spell onto the audience as he delves into one of those patented orchestral improvisatory introductions that oftentimes were so strikingly original that even his band mates would have to be fully alert to figure out what tune Garner was embarking upon. The legendary avant-garde pianist Cecil Taylor once praised them as compositions unto themselves because of their orchestral cogency.
Improvisational wizardry was not only a major trump card in Garner’s musicality, according to New York Times writer John S. Wilson, who charted much of the pianist’s career, improvisation was almost a way of life. “He [was] as adamantly improvisational in non-musical areas – he refuses to make social plans in advance, he cooks by taste and is convinced that he can learn more about how to play golf on his own than with the help of a pro,” Wilson wrote in 1959, continuing to note that Garner, “prepares no set program because every performance is made to fit his response to the hall in which he finds himself and the audience that faces him.”
But Garner strikes an instant familiarity with the listeners through his strong melodic sense as he segues from his cliffhanging free-form introductions into popular tunes like Cole Porter’s “I Get A Kick Out Of You,” Bart Howards’ “Fly Me To The Moon,” Ralph Rainger’s “Thanks For The Memories” and Art Tatum’s “Where Or When,” as he does on these performances. No matter how involved his improvisational flights of fancy become, he holds each song’s melody with such high regard. The same could be said for the audience, as Garner repeatedly referred to the audiences as the “fourth member” of his trio.
“You can feel an audience react,” Garner told Wilson, “and you respond to that. It pushes you more, encourages you and gives you more freedom to create.”
Indeed, magnificent jazz he created. Standing at a mere 5 feet and 2 inches, Garner, who often had to complement his piano stool with a telephone directory, made gigantic music. He approached the piano more from an orchestral standpoint than pianistic, distancing himself from many of his contemporaries, but later proved influential for a litany of succeeding pianists that includes Ahmad Jamal, Keith Jarrett and Jaki Byard. “There [are] 88 keys,” he explained to Wilson in The New York Times regarding his orchestral approach, “The guy who made it must have had something in mind.”
Throughout these European concerts, Garner exhibits an extreme awareness of dynamics, alternating from aggressive jabs to caressing filigrees. He’ll embellish his improvisations with dramatic tremolos, cascading melodies and block chords—all while expressing an effortlessly “devil may care” grin.
Two of the best examples on this video of his two-handed approach are his frisky renditions of “Thanks For The Memories.” In both performances, Garner fills the tune with so many historical references—stride, ragtime, boogie-woogie, swing and European classical—that it’s amazing that he’s able to pull the feat off without them sounding like mere exercises. And the rapport and dialogue he engages with Calhoun is a delight as well.
Coming out of the stride tradition of Earl Hines, Teddy Wilson and Art Tatum and subtly incorporating the virtuosic bristle of bebop without being an actual bebop player, Garner developed a spellbinding tension-and-release sensation with his elastic rhythms. He preferred to play behind the rhythm instead of in front, setting up a nifty challenge for his rhythm section. Then he would concoct a rubato feeling by anchoring a steady, almost rhythm guitar-like rhythm with his left hand and lagging improvisational melodies full of spectacular chordal embellishments with his right hand. As evident on the footage of Oscar Hammerstein’s “It Might As Well Be Spring,” Antonio Carlos Jobim’s “One-Note Samba” and his signature tune, “Misty,” this approach sparked magic on both the helter-skelter uptempo numbers and lush slow ballads.


გადმოწერეთ და ისიამოვნეთ... (ბოდიშს გიხდით მხოლოდ რაპიდის ლინკისთვის, მაგრამ ქართულ ftp-ზე ასატვირთად ნერვები აღარ მეყო.. ) :
PART 1
PART 2
PART 3
PART 4

ბატონი ჯონი ჩამოდის და ბარემ დავდებ
Video - Mahavisnhu Orchestra - 1974 - 1984



Formed by John McLaughlin in 1971, the Mahavishnu Orchestra pioneered the fusion of jazz elements into rock music while still undeniably retaining the power and muscle of a full on rock band. With McLaughlin as the ever-present, the line-up went through various phases and these two concerts from Montreux showcase the band at distinctively different times of their career, with the seventies show featuring later stars Jean-Luc Ponty and Michael Walden and the eighties concert featuring saxophone maestro Bill Evans.Visual footage only exists of three tracks from the 1974 show (although this is still over 73 minutes of footage) but the other tracks exist as audio masters and they have been added as bonus material.


Personnel (on video):

John Mclaughlin - Guitar

Ralph Armstrong - Bass

Jean Luc Ponty - Violin

Narada Micheal Walden - Drums

Gayle Moran - Keyboards

Visual footage only exists of three tracks from the 1974 show (although this is still over 73 minutes of footage) but the other tracks exist as audio masters and they have been added as bonus material.

Tracklisting: Disc One - 1984 1) Radio-Activity 2) Nostalgia 3) East Side, West Side 4) Clarendon Hills 5) Medley: Blues For L.W. / It's The Pits / Living On The Crest Of A Wave 6) Jozy 7) Pacific Express 8) Mitch Match 9) Mitch Match (reprise) Disc Two - 1974 1) Wings Of Karma 2) Smile Of The Beyond 3) Hymn To Him Plus bonus audio only tracks from 1974: 1) Power Of Love 2) Vision Is A Naked Sword 3) Sanctuary


Enjoy!


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BILL EVANS TRIO ROME CONCERT 1979



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